01 — Pens / Making2017 — now

IPSUMSTUDIO

A fan of burl wood and ebonite fountain pens on black velvet
RoleFounder & maker
Since2017, Eindhoven → Helsinki
Output50+ pens, almost all one-offs
Price€300 – €3,000

One-of-one fountain pens,
designed and made
by hand. Every pen
is made once.

I started making pens as a teenager, self-taught on wood and metal lathes, long before I studied design. IpsumStudio is where I still do the work I love most: traditional product design, from raw material to the pen you write with.

Most of my pens go to collectors, mostly through the Dutch International Pen Show. Some go to people who need something special to sign with. Last year I sold 30.

01 / Material

Wood that grew wrong, made to last forever

My favourite material is the burl: a growth where a tree was damaged by insects or disease. The grain goes wild. It’s the most beautiful thing nature makes, and far too soft to use as it is. I stabilise it under vacuum and pressure until it can hold a thread.

My second love is ebonite, vulcanised rubber that feels warmer than any plastic. I stopped using acrylic and hybrid blanks. The plastic takes away from the feeling of wood in the hand, and that warmth is the reason people buy these pens.

Three burl pens with ebonite sections
Raw burl blanks before stabilising
Burl and ebonite pens on black velvet
02 / Engineering

Threads in walls of one millimetre

The hardest part of a pen is the part you never see. I turn and thread ebonite sleeves, inner and outer threads, in walls of one millimetre or less, then set them inside the wooden body. Get the cut slightly wrong and the wall tears out.

It took a lot of broken parts to get a machining flow that works every time. Every failure ended in a fix. That’s the habit I bring to every project now.

Technical drawing of a threaded pen section
Thread cutting on the lathe — macro
03 / In-house

Mine: everything but the nib

Bodies, caps, threads, sections and every fit are made in my workshop. I buy only what a specialist does better: nibs and feeds from JoWo in Germany, and the filling systems.

Tools: wood and metal lathes, vacuum and pressure stabilisation, milling, and CNC and 3D-printed jigs and work holding I design myself.

Walnut pen with ebonite cap and steel nib
Olive wood pen held in the hand

04 / Signature commission

Nine sides for Nippon Sanso’s retiring CEO.

Complete creative freedom and one brief: make something no one has made before. Stabilised ebony, fully sleeved in ebonite, faceted nine times with a jig I designed for it, and a 14K gold nib engraved with the company logo.

  • Time~3 months
  • WorkshopAalto University
  • New toolingFaceting jig, ebonite milling process
Nine-sided ebony pen
The pen uncapped
The pen on velvet
The pen capped
The pen in hand
“Collector or client quote goes here: one or two lines on what the pen means to them.”
— Name, collector
Walnut pen upright
Faceted olive wood pen
Burl pens
Earlier hybrid burl and resin pen
Ebony pen in hand
Next project Meloen
Meloen